The Dawn Treader arrives at its first port of call, Lone Island, which consisted of Australian plate photography enhanced with digital matte paintings and environment work supplied by Cinesite and the production’s in-house visual effects team. The crew disembarks at the quayside, constructed as a partial set in Brisbane, which Cinesite matte painter Sevendalino Khay […]
Sue Rowe, Visual Effects Supervisor for Cinesite, was on set throughout the shoot in Morocco and later at Pinewood Studios, collecting data for her team and preparing how they would handle the tasks they had been awarded, comprising 280 shots. The shoot ran from the end of August and into December. “Although the art department […]
As Dastan and Tamina journey through sixth-century Persia on their mission to save the Sands of Time, they travel through two cities, which house several action sequences. Sets built on location in the Atlas Mountains gave the actors walls and rooftops to climb and jump from, and gave the postproduction team lighting reference, but these partially […]