Cinefex Spotlight – Gurel Mehmet & Helen Newby
Cinesite’s Art Director & Head of Compositing speak to Cinefex
Cinesite’s Art Director & Head of Compositing speak to Cinefex
What was Cinesite’s involvement in the show? We were tasked with the enhancement of the golden tablet – both look-dev and execution – showing the progression of its corrosion and the green glowing edge detail. We also created the golden glowing tablet shots. To do that, we referenced the first two Night at the Museum films to […]
Cinesite were tasked with completing work on a variety of sequences throughout the show. “We worked on twisters, building destruction, environment enhancement and clean up,” said Simon Stanley-Clamp, Visual Effects Supervisor at Cinesite. “These sequences had been started by another facility.” Among the sequences worked on by Cinesite was one in which the principle characters […]
The Dawn Treader arrives at its first port of call, Lone Island, which consisted of Australian plate photography enhanced with digital matte paintings and environment work supplied by Cinesite and the production’s in-house visual effects team. The crew disembarks at the quayside, constructed as a partial set in Brisbane, which Cinesite matte painter Sevendalino Khay […]